Captured in New York City by director Jonathan Glazer, the still and motion images showcase Johansson as an actor, honing her art – repeating phrases with different feeling and meaning, she showcases the infinite self-transformation that define an actor’s skill. Abstracted, unreal, it is film at its most cinematic. Yet, as Johansson exits the studio, we then leap from screen to reality – albeit a reality fictionalized, idealized for us. In a quintessentially Prada dichotomy, the intimacy the act of performing is able to generate contrasts with a panoramic normality of everyday life. Cinéma vérité – Johansson, seemingly undirected, as her true self.