Displacement, rescaling, rematerialization, recontextualizing and decontextualizing. Dresses – emblematic of femininity – are constantly, ceaselessly transformed, through both form and how each is worn. Fragments of garments shift around the body, liberated from their original function and language. Non-recognizable in appearance, we question their origin. Their meanings change as they move, while through reactions between separate items, new silhouettes can be created. Proportions are altered, adjusting the behavior of clothes and the rapport between body and dress. In a process of reduction, construction becomes emphasized. Untypical materials are used, raw seams exposed with intention. Gestures of glamour in accessories – jewels, handbags, bows, decoration – contrast with this rawness, an opposition. This difference and divergence is reflective of the multiplicity of femininity, a further questioning of its determination.